The ultimate guide to playing killer rhythm blues using triads.
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Robert Renman – VOICING AND COMPING THE BLUES
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VOICING AND COMPING THE BLUES
The ultimate guide to playing killer rhythm blues using triads.
Your Instructor
Robert Renman
Course Curriculum
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Chord construction with triads (8:09)
Dominant 7 chords
Constructing 7th chords (16:00)
A7 voicings on GBE strings (6:38)
A7 voicings on DGB strings (13:35)
A7 voicings on ADG strings (10:07)
A7 voicings on EAD strings (7:54)
4 note 7 voicings
A dominant Voicings on DGBE strings (21:36)
Practicing A dominant Voicings on DGBE Strings (4:59)
A dominant Voicings on ADGB strings (10:06)
A dominant Voicings on EADG strings (9:29)
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Blues in A
Comping Blues in A (9:50)
Comping Blues in A – practice (2:29)
Blues in C
Comping Blues in C (8:53)
Comping Blues in C – Practice (1:41)
Blues in G
Comping Blues in G (11:43)
Comping Blues in G – Practice (3:30)
Blues in E
Comping Blues in E (9:29)
Comping Blues in E – Practice (3:11)
Blues in D
Comping Blues in D (11:22)
Comping Blues in D – Practice (5:27)
Blues in B
Comping Blues in B – Practice (5:37)
Comping Blues in B (15:00)