RippleTraining – Multicam Editing in Final Cut Pro 10.6

RippleTraining – Multicam Editing in Final Cut Pro 10.6Organize & Sync Angle with MetadataEdit & Grade a 5-Angle WeddingMix & Edit a Multitrack Music VideoColor Correct & Shot Match CamerasEdit with Virtual AnglesWho this Tutorial is for:Multicam Editing in Final Cut Pro was designed for users who want to edit and deliver projects that utilize footage that was recorded with multiple cameras. As an intermediate level tutorial, it assumes basic familiarity with Final Cut Pro’s user interface. Users who are new to Final Cut Pro should purchase Final Cut Pro Core Training before working through this tutorial.Software Version: Final Cut Pro 10.6 or later.Run Time: 2 hours 30 minutesType of Tutorial: BeginnerProject Media: Project media is included.Multicam Editing in Final Cut Pro 10.61. Introduction to Multicam EditingIntroduction2. Working in the Angle EditorIntroductionCreate a New Library & EventCreating a Multicam ClipWorking in the Angle EditorChecking & Fixing SyncSyncing an Angle to the Monitoring AngleChanging the Angle Name & Order3. Working in the Angle ViewerIntroductionWorking in the Angle ViewerBalancing Performance & Disk StorageEnabling Video and Audio-only Switching4. Editing a Wedding CeremonyCreating a ProjectTimeline vs. Browser Multicam ClipsEditing the Multicam ClipSwitching vs. CuttingMaking the First CutCutting by Numbers5. Fine Tuning the EditIntroductionSwapping AnglesChanging the Editing TimingEditing Sans Angle ViewerStabilizing an Angle6. Color Correcting Multicam ClipsIntroductionColor Board CorrectionsUsing the Comparison ViewerSaving a Reference FrameAuto Color BalancingColor Matching with ScopesColor MatchingRetiming an Angle7. Angle Assembly & Sync OptionsIntroductionCreating a Custom Column LayoutAutomatic vs Custom SettingsUnderstanding Angle AssemblyAssigning Clip MetadataCamera Angle AssemblyCamera Name AssemblyAdding Sync MarkersAngle Synchronization OptionsAudio Synchronization – Yes or No?8. Timecode & Angle Clip OrderingIntroductionSync with MarkersSync with TimecodeAll Timecode is Not Created EqualVerifying Timecode with Smart SlateAngle Clip OrderingAngle Clip Ordering OptionsConsolidating AnglesMetadata & Angle Clip Ordering9. Working with Audio Only AnglesIntroductionHardware SetupAdding Audio Angle MetadataAssigning Audio RolesCreating the Multicam Clip10. Mixing a Music PerformanceIntroductionMono vs. StereoAdjusting Level & PanCompressing the VocalsSplitting & Disabling Angles11. Editing a Music PerformanceCreating a ProjectEnabling Audio RolesEnabling Audio Roles in the InspectorEnabling Audio Roles in the Angle ViewerPerforming the EditThe Final Mixdown12. Multicam Split Screen EditingIntroductionTranscoding to ProRes ProxyThe Production BreakdownCreate a Snapshot ProjectCreating the Quad SplitFCP’s Coordinate SystemPlacing the Angles in a GridSaving an Effect PresetCreating the Quad-Split Angle13. Fixing Production MistakesIntroductionUHD in an HD Multicam ClipMake Angle CorrectionsCreate an Angle CopyScale and Position the AngleFaking SyncSelling the ShotEdit a Wedding CeremonyYou’ll begin the tutorial by editing a wedding ceremony that was recorded with 6 cameras. During the process you’ll learn how to address sync issues in the Angle Editor and set up your multicam clips for seamless cutting between your video and audio source clips using the Angle Viewer. You’ll also learn essential keyboard shortcuts that will save you time – including how to make fast timing changes to improve the story pacing.Edit a Multitrack Music VideoSteve will have you editing a 3-camera music performance that includes audio from a multitrack recorder. You’ll organize these tracks into roles before creating a balanced mix using Final Cut Pro’s stereo panning options, and a few compressors to enhance the vocals. You’ll then learn how to assign the mixed angles, perform the edit, then work with audio components to create the final mixdown.Get That Syncing FeelingIn lessons 7 and 8, you’ll be presented with every option for syncing your footage – whether you shoot with iPhones for delivery to TikTok, or with professional cinema cameras that record industry-standard timecode. Along the way, you’ll learn how to add metadata to your camera angles to make the syncing process more efficient.Fix Production MistakesWith multicam productions, potential problems are multiplied by the number of cameras and people involved. Steve will show you some of his best editing work-arounds for salvaging a project when one of the cameras did not record because of mechanical or human error.There are no reviews yet.Add a Review Cancel replyYou must be logged in to post a review.