Rhiannon Giddens – The Banjo: Music, History, and Heritage

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Rhiannon Giddens – The Banjo: Music, History, and Heritage
The Banjo: Music, History, and Heritage

Open your eyes and ears to the rich—and surprising—cross-cultural history of the banjo with GRAMMY®-Award winning artist, Rhiannon Giddens.
EPISODE
Trailer
01:Hearing the Banjo’s Journey from Africa

Jump into the history of the banjo! As you will discover right away, there is much to learn about this versatile instrument—starting with its origins in Africa and its link to African American culture. Explore the anatomy of the “gourd banjo” and consider the cross-cultural conversation between African and European music.

24 min
02:The Banjo and the Fiddle Together

Continue your exploration of the gourd banjo as an African instrument and see how music as an entertainment crosses racial lines. You will learn about the connection between the banjo and the fiddle as you dig into the old-time country music of the African American string-band musician Joe Thompson.

23 min
03:Minstrel Banjo

As musical and comedy entertainment, minstrel shows have left a scar across American history due to the legacy of blackface. Although difficult to study today, minstrel shows play an important part in the banjo’s history, as it was through these shows that the banjo became a mainstream instrument in America.

27 min
04:The Spiritual Roots of the Banjo

While we may think of the banjo as an instrument for entertainment, the buried history reveals it has powerful spiritual roots in African and Caribbean culture. Delve into the connection between religious symbols and the early banjo—and reflect on the complex processes of cultural appropriation.

24 min
05:The Banjo in Ragtime and Jazz

The late 1800s and early 1900s saw an explosion in historical, cultural, social, and technological change, and this change paved the way for the great American art form of jazz. From ragtime to New Orleans jazz, examine how the banjo’s capabilities for syncopation earned the instrument a prominent spot in exciting new music.

22 min
06:The Irish Banjo

While African American music was transitioning from minstrel shows to jazz clubs, Irish immigrants were bringing their own cultural experiences to America—and the banjo fit right in with the rhythms of traditional Celtic music. Meet some of the early figures of the Irish banjo, which has strong connections to Afro-Caribbean culture.

24 min
07:The Banjo’s Evolution in Ireland

Just as music is always changing, the instruments we play also evolve. You’ll see how the gourd banjos transitioned and eventually led to the development of the tambourine. You’ll also study the evolution of technique, which included the development of American-style “cross-picking” popular in bluegrass today.

22 min
08:Migration, Music, and Commercialization

The banjo today is most strongly associated with bluegrass, and that’s because bluegrass elevated the banjo from a backing instrument to the star of the show. After surveying the rise of bluegrass with luminaries Bill Monroe and Earl Scruggs, dive into the cross-cultural exchange made possible by the banjo. Then see how Béla Fleck elevated and redefined the instrument yet again.

21 min
09:The Banjo in String Bands and Bluegrass

If African Americans invented the banjo, why did they stop playing it? Here, learn about the 20th century’s Great Migration, the birth of the recording industry, and the way banjos became associated with older, rural culture. Then, witness the rise of folk music, which tapped into rural working-class stringed instruments.

18 min
10:Banjo Revival and Our Collective Story

The folk revival gave renewed life to an old instrument, but the evolution of the banjo continues in the 21st century. Bands such as Mumford and Sons, Billy Strings, and the Carolina Chocolate Drops continue to reinvent what is possible with the banjo, remixing classic sounds for new audiences. The course ends with a look back—and a look forward.

23 min
11:Performance of “Kitchen Girl” with Enda Scahill

Performance of “Kitchen Girl” with Enda Scahill

3 min
12:Performance of “Old Corn Likker” with Justin Robinson

Performance of “Old Corn Likker” with Justin Robinson

3 min
13 Performance of “Better Git Yer Learnin’”

3 min
DETAILS
Overview
In The Banjo: Music, History, and Heritage, you will explore the history of banjo music from African spirituals to jazz club standards to activist folk numbers. Taught by acclaimed musician and MacArthur grant recipient Rhiannon Giddens, the 10 jam-packed episodes take you across time and cultures to uncover the hidden history of a sonically rich American instrument.
About

Rhiannon Giddens

You have to live your life thinking about what you’re going to be passing on. It can’t stop with you. It has to continue on.
Rhiannon Giddens is a singer, songwriter, and multi-instrumentalist who cofounded the Carolina Chocolate Drops. For her work as a soloist and collaborator, she is a two-time Grammy Award winner and an eight-time nominee. She is the recipient of a MacArthur Fellowship, and she also received a Legacy of Americana Award from Nashville’s National Museum of African American History and the Americana Music Association. Additionally, she is the artistic director of Silkroad and a member of the band Our Native Daughters. She obtained a bachelor of music degree in Vocal Performance from the Oberlin Conservatory of Music.
REVIEWS
Metaskeptic

Berkeley CA

I’m playing Banjo again!

Rhiannon Giddens is a wonderful Musician and Scholar, equally important in both areas. Her playing and her lecturing are both superb. She is not afraid to talk about both the good and the bad in the relationship between African-Americans and American music. I’m trying to play a Banjar now (Banjo tuned and strung like a guitar). Seeing and hearing her play made me realize there are a lot of ways the Banjo can sound, and a lot of freedom in how to play it. I’m so grateful this course exists.
Hubert  

My First Great Courses Disappointment

This “course” is a sharp departure from the previous 89 Great Courses that I have purchased and enjoyed. It includes no documentation at all, and the lectures are not titled and indexed on the DVD as I had expected; the length of the lectures is not provided. Without a guide book, there is, of course, no supplementary reading or suggestions for further study. This offering is much more like a PBS TV special, with casual, repetitive, vernacular verbalizing, and, unfortunately, a strained effort to draw racial and political significance where none is appropriate. There is some educational value here, scattered among the entertainment, but this “course” is not, in my opinion, to be confused with and offered alongside the Great Courses of the past.