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Lisa Carney & Simon Peter Raible – The Business of Professional Photo Retouching

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Lisa Carney & Simon Peter Raible – The Business of Professional Photo Retouching download, Lisa Carney & Simon Peter Raible – The Business of Professional Photo Retouching review, Lisa Carney & Simon Peter Raible – The Business of Professional Photo Retouching free
Lisa Carney & Simon Peter Raible – The Business of Professional Photo Retouching

54 Video lessons in HD
9h 58m of class content
Exclusive bonus content

LESSONS
1. Class Introduction

2. Who Should Be A Retoucher?

3. Genres Of Retouching

4. Comp Vs Finish

5. Lisa’s Path To Retouching

6. Simon’s Path To Retouching

7. Establishing A Look

8. Who Is The Client?

9. What Is The Job?

10. How To Estimate A Job

11. Pricing Your Jobs

12. Billing

13. Retouchers At Photoshoots Overview

14. Budget Busters On Photoshoots

15. Photo Coverage On Set

16. Pre Shoot Communication

17. Female Model Examples

18. Male Model Examples

19. On Set Recap

20. Retouchers On Set Q&A

21. Comping On Set

22. Demo Images From Shoot

23. Tools Of The Trade

24. Digital Bag Of Tricks

25. Getting Hired As A Retoucher

26. Being A Retoucher Q&A

27. Production Management

28. Folder Naming Convention

29. File Naming Convention

30. Mark Ups

31. Workflow Overview

32. Computer Organization Workflow

33. Software Organization & Brushes

34. Libraries & Layer Management

35. Office Space Workflow

36. Build Your Network

37. Finishing Touches Checklist

38. Stacking Order

39. Res-Up Files

40. Sharpening Files

41. Noise On Files

42. File Types

43. Quality Control

44. Delivering Final Files

45. When Issues Arise

46. How To Mitigate Problems On Set

47. Solving Problems In Post

48. Casting Cards Vs In Person

49. How To Come Back From Mistakes

50. Business & Promotion

51. Website Portfolio Samples

52. Promotion On Social Networks

53. Organizations To Join

54. Craftsmanship & Work Ethic
CLASS DESCRIPTION
Define And Build Your Retouching Business
Create your own retouching business from the ground up. In this class, one of Hollywood¹s hottest retouchers reveals the secrets to designing your own business. Lisa Carney walks through the steps needed to start and run a smooth business while keeping your clients engaged and happy. Whether you’re looking to work with photographers, agencies or even bill for post production – you’re bound to find valuable insight into the world of photo retouching.
This class covers:

Defining the type of retoucher you want to be
Solutions for the problems you’ll encounter on shoots and in post production
Communication techniques for clients
Secrets for setting realistic expectations from markups through revisions
Pricing your services and handling billing issues
Emergency tips for when jobs go off the rails

Get the inside scoop from a true insider. You’ll finish this class knowing how to construct a profitable photo retouching business model AND develop the tools to sustain it.
LISA CARNEY
Lisa Carney is a high end retoucher who has spent over two decades working with the most dynamic players in the print, motion picture, and television industries.
Besides being a regular presenter at the Adobe MAX conference, her teaching roster runs the gamut from beginners to professional retouchers, and includes universities, design studios, movie studios, corporations, and private students.
Lisa has worked with all major movie studios and many television networks including Disney, Buena Vista, Paramount, 20th Century Fox, Fox Searchlight, Sony, Universal, Newline, Columbia, MGM, ABC Television, ESPN, TNT, CNN, CBS, CW, Warner Brothers and Sony.
Advertising credits include Burger King, Baskin-Robbins, Lowes, Jordana Cosmetics, Strategic Perceptions, Mattel, Chrysler, Mercedes, Mazda and Best Buy.
SIMON PETER RAIBLE
Simon Peter Raible is a world renowned Photoshop® Finisher based in Los Angeles. He moved from Maryland to Los Angeles in 1988 and procured a delivery boy job at an entertainment advertisement boutique near Universal Studios. His curiosity & work ethic led him through the stages of pre digital print production which helped him get a staff position at Paramount Pictures in 1992. He’s an expert at rebuilding, fine tuning & polishing pre-designed original artwork for America’s premier motion picture, television & home streaming studios.