Denver Riddle – Color Grading Academy For Adobe Premiere

Denver Riddle – Color Grading Academy For Adobe PremiereCourse DescriptionWhy Can’t I Color Grade Like That?Chances are you’re either a filmmaker or an editor and you handle all of you’re own color grading inside of Premiere (the buck stops with you). But you might be feeling frustrated when you’re not getting the results that you’re looking for. You may feel overwhelmed with the Lumetri Color panel or you may even watch a film or project and say to yourself, “Why can’t I grade like that?”Well I know how you feel and I’ve been there. In fact I remember the day years ago that my boss told me my grading was either “too extreme” or “looked muddy.” He then assigned the project to somebody else! This was a major blow to my creative ego and to say it made me feel inadequate is an understatement.Well the good news is color grading is my obsession and so I didn’t want to give up. Through years of practice and study I was able to discover the groundbreaking techniques that top colorists from around the world use. Techniques that I used when grading commercials for big brands like Facebook and on films with theatrical releases.Take. Action.Imagine for a moment what it would feel like knowing that you’re getting the most cinematic look from your camera. How it would feel to be complimented on the style of your work. What would it mean to stand out from your competitors who are likely not even thinking of color grading or very good at it? And how would it feel to land a big project with a major client? You can do it and I’m here to help you.Step-By-Step MentoringWhat if you were only one technique or tutorial away from getting the results you’re looking for in Adobe Premiere? What if there was someone willing to mentor you every step of the way? Someone willing to open up and share their top grading techniques and share with you how color theory can have an impact on your grading.The Color Grading Masterclass for Adobe Premiere is 6 months in the making. Yes you heard that right, 6 months to ensure that all the basics, virtually every question is covered and no stone left unturned. We have surveyed extensively and have received feedback from our members so that we know all the key points to cover.I have a keen interest in helping you to see results in your color grading. We have thousands of satisfied members but what I’m interested in where you’re currently at, the struggles you’re currently going through and helping you get to the finish line. When you feel confident in your abilities and you celebrate your success is when I’ll celebrate. Feel free to peruse the masterclass curriculum and I’m always one email away if you have a question or need some feedback.What You GetA step-by-step color grading training programOpportunities to ask questions and get answers from meNearly 70 in-depth training titlesExercise files so you can download and follow along withA proper color grading workflowEasy to follow system for matching multiple cameras and shots in a sceneStrategies to help you work more quickly and efficientlyIn-depth series on getting proper and natural looking skin tonesIn-depth color theory series so you can create “looks” that aid the storyBreakdown series on creating the looks of popular feature filmsA certificate of completion upon completing the masterclassCourse curriculumModule 01READ ME FIRSTREAD ME NEXT: RAW FOOTAGEDownload Exercise Files – Setting Up a Timeline in Premiere ProSetting Up a Timeline in Premiere ProColor Grading Workflow in Premiere ProFREE PREVIEWDownload Exercise Files – Introduction to Lumetri ScopesIntroduction to Scopes in LumetriFREE PREVIEWDownload Exercise Files – Lumetri Waveform ScopesLumetri Waveform ScopesFREE PREVIEWDownload Exercise Files – Lumetri Parade ScopesLumetri Parade ScopesDownload Exercise Files – Lumetri VectorscopesLumetri VectorscopeLumetri Histogram ScopesComments and questions about scopesDownload Exercise Files – Setting Exposure in Premiere ProSetting Exposure in Premiere ProDownload Exercise Files – Color Balancing in Premiere ProColor Balancing in Premiere ProFREE PREVIEWDownload Exercise Files – Obsolete Color Effects in Premiere ProObsolete Color Effects in Premiere ProDownload Exercise Files – Color Balancing With The RGB OverlayColor Balancing With The RGB OverlayDownload Exercise Files – Broadcast Safe in Premiere ProBroadcast Safe in Premiere ProDownload Exercise Files – Overview of LUTs in Premiere ProOverview of LUTs in Premiere ProDownload Exercise Files – Create, Add and Save LUTs in Premiere ProCreate, Add and Save LUTs in Premiere ProFREE PREVIEWDownload Exercise Files – Using Technical LUTs in Premiere ProUsing Technical LUTs in Premiere ProUsing Creative LUTs in Premiere ProComments and questions about LUTsColor ManagementDownload Exercise Files – Working With RED RAW in Premiere ProWorking With RED RAW in Premiere ProDownload Exercise Files – Working With Black Magic Cinema Raw in Premiere ProWorking With Black Magic Cinema Raw in Premiere ProDownload Exercise Files – Working With LOG in Premiere ProWorking With LOG in Premiere ProComents and Questions about Module 12Module 02Download Exercise Files – Secondary Corrections With Vignettes and MasksSecondary Corrections With Vignettes and MasksDownload Exercise Files – Effects and Mask Tracker in Premiere ProEffects And Mask Tracker in Premiere ProFREE PREVIEWComments and questions about masks, vignettes and trackingDownload Exercise File – Hue Saturation Curve Tool in Premiere ProHue Saturation Curve Tools in Premiere ProDownload Exercise Files – HSL Secondary Corrections in Premiere ProHSL Secondary Corrections in Premiere ProDownload Exercise Files – HSL Advanced Secondary Corrections in Premiere ProHSL Advanced Secondary Corrections in Premiere ProComments and questions about HSL controlsDownload Exercise Files – HDR Grading Technique in Premiere ProHDR Grading Technique in Premiere ProDownload Exercise Files – Grading White Limbo in Premiere ProColor Correcting White Limbo in Premiere ProDownload Exercise Files – Keyframing Effects in Premiere ProKeyframing Effects in Premiere ProDownload Exercise Files – Raccoon Eyes Technique in Premiere ProRaccoon Eyes Technique in Premiere ProIntroduction to Ideal Skin TonesFREE PREVIEWDownload Exercise Files – Correcting Skin Tones in Premiere ProCorrecting Skin TonesDownload Exercise Files – Correcting Darker Skin Tones in Premiere ProCorrecting Darker Skin TonesDownload Exercise Files – Correcting Lighter Skin Tones in Premiere ProCorrecting Lighter Skin TonesDownload Exercise Files – Recovering Skin Tones in Premiere ProRecovering Skin TonesComments and questions about grading skin tonesExport Options and FormatsComments and Questions about Module 23Module 03Grade Management in Premiere ProDownload Exercise Files – Grade Management in Premiere ProPicking a Hero ShotDownload Exercise Files – Shot to Shot Matching in Premiere ProShot to Shot MatchingDownload Exercise Files – Shot to Shot Matching Advanced in Premiere ProShot to Shot Matching AdvancedDownload Exercise Files – Shot to Shot Matching Multiple CamerasShot to Shot Matching Multiple CamerasDownload Exercise Files – Grading MulticamGrading MulticamDownload Exercise Files – Grading Multicam Advanced in Premiere ProGrading Multicam AdvancedDownload Exercise Files – Building the Base CorrectionMasterclass Part 1: Building the Base CorrectionFREE PREVIEWDownload Exercise Files – Shot to Shot Matching and SecondariesMasterclass Part 2: Shot to Shot Matching and SecondariesDownload Exercise Files – GroupingMasterclass Part 3: GroupingDownload Exercise Files – Looking Building Intro and DeliveryMasterclass Part 4: Look Building Intro and DeliveryComments and Questions about Module 34Module 04What is The Goal?Download Exercise Files – Creating MoodCreating MoodDownload Exercise Files – Suggesting Time of DaySuggesting Time of DayDownload Exercise Files – Contextual LooksContextual LooksDownload Exercise Files – Dialing Looks to TasteDialing Looks to TasteDownload Exercise Files – Creating Looks Around Skin ToneCreating Looks Around Skin TonesFREE PREVIEWDownload Exercise Files – Auditioning Different Scene VersionsAuditioning Different Scene VersionsContrasts of Color IntroductionDownload Exercise Files – Contrast of Light and DarkContrasts of Light and DarkDownload Exercise Files – Complementary Contrast and Warm Cool ContrastComplementary Contrast and Warm Cool ContrastFREE PREVIEWDownload Exercise Files – Contrast of SaturationContrast of SaturationDownload Exercise Files – Contrast of HueContrast of HueMemory Colors and What Certain Colors MeanColor Schemes and HarmoniesFREE PREVIEWDownload Exercise Files – Creative Looks Based on a Color SchemeCreative Looks Based on a Color SchemeDownload Exercise Files – Bleach Bypass LookBleach Bypass LookDownload Exercise Files – Black and White LookBlack And White LookDownload Exercise Files – Day for Night LookDay For Night LookDownload Exercise Files – Cross Process LookCross Process LookFREE PREVIEWDownload Exercise Files – Vintage LooksVintage LooksDownload Exercise Files – Cosmetic LookCosmetic LookDownload Exercise Files – Orange Teal LookOrange Teal LookDownload Exercise Files – Wes Anderson LookWes Anderson LookComments and Questions about Module 4